We shoot it.
Since 2014
Twelve years of commercials, music videos and short films, most of them for people who came back.
Crew of eleven
Directors, camera, sound and three editors on staff. We bring in the rest job by job.
One roof
Kit room, two edit suites and a grading room in Finnieston, ten minutes from the M8.
We shoot
Brand films
From £14,000
Two to four minutes that say what the company is for. Written, cast, shot and finished in house.
Campaigns and commercials
From £22,000
Thirty to sixty seconds for broadcast, cinema and paid social, with every cutdown planned before the shoot.
Music videos and shorts
From £6,000
Small crews, long days and a director who has read the treatment twice.
We cut
Offline edit
From £650 a day
Your footage or ours. An editor, a suite and a first cut inside a week.
Grade and finishing
From £750 a day
Colour, clean-up, titles and conform in a calibrated room, signed off with you in the chair or over a live link.
Cutdowns and versions
From £1,800 a set
The fifteens, sixes, verticals and subtitled versions every platform asks for, delivered to spec.
Priya Nair
Brand director, Tarnside Athletic
They shot for three days in forty-degree heat and nobody raised their voice. The first cut was the one we ran.
Daniel Oyelaran
Founder, Corrie Robotics
We sent a hard drive and a vague idea. We got back a film our investors asked to watch twice.
Marlo Finch
Musician
The edit notes took one call. That has never happened to me before.
On set
Isla Marr
Director
Callum Reyes
Director of photography
Niamh Okafor
Producer
In the suite
Tomasz Brodie
Lead editor
Hana Lindqvist
Colourist
Rory Deans
Sound and finishing
On set
What a recce is for
Five things we check on a location before anyone books a van.
In the suite
Cutting ninety seconds from forty hours
How the Dry Run edit went from eleven string-outs to one film.
On set
Why we still shoot at night
Night work is slow, cold and expensive. Here is why we keep saying yes to it.
Something we have not covered? Write to us and a producer will answer the same day.
Yes. About a third of our edit work arrives on a hard drive. Send us the rushes and a brief and we will tell you honestly what is in there.
A sixty-second commercial is usually five to seven weeks from brief to delivery: two to plan, one to shoot, and two to four to cut, grade and mix. Shorter turnarounds are possible when the idea is simple.
A small crew with camera, lighting and sound starts at £3,800 a day. A full commercial unit is priced per job once we have read the script.
Yes. We shoot across the UK and Europe most months and keep carnets and kit lists ready. Travel is charged at cost.
You do, once the final invoice is paid. We keep a copy for two years unless you ask us not to.
You bring the story.
